And we have some really talented arrangers in this group, so I can’t expect my first tries to be The Ones. It would be an accomplishment just to make something. I suppose I could look at old scores for help.Īgain, I’d just have to know from the get-go that I’m not expecting to get selected.
#Pocket mirror ost main theme sheet music how to#
Problem is that I don’t know how to really write for piano, percussion, or guitar. I could probably pull one together over winter break.
I mean I’ve been thinking about an arrangement of The Opened Way for years.
Something from Shadow of the Colossus (probably just The Opened Way tbh (unless I did a battle suite or something)), maybe something from Ni No Kuni: Wrath of the White Witch (like Drippy’s Theme (also consider looking at The Fairyground (but maybe don’t swing it bc we know what happened the last time the orchestra tried to swing)), the Battle Theme (or the second one?), the Main Theme or World Map maybe? probs a mashup of sorts bc the main theme is real repetitive lol, like start and end with the main theme and have those two others in the middle somewhere (AHHHH THERE ARE LYRICS TO THE MAIN THEME? I AM CRYINGGGG)), or even Blinded by Light from FFXIII NOPE NOPE NOPE I’m listening to it right now and I simply don’t think it would work. You know, due to the fact that I love taking on immense projects that I’ve never done before and expecting them to turn out amazingly, I’m thinking about submitting a piece or two as arrangements for the orchestra. I also went through another mini Paramore phase this year as a sort of palette cleanser and it led me to folksy music which I’m enjoying right now. and Alice Merton) but I tend to skip over them more often. I do still listen to a lot of the 2020 songs, (but Beyonce is gone, as are Leslie Odom Jr. Woah There Kimmy - Felix Hagen & the Family You’re Nobody Till Somebody Wants You Dead - Saint Motel Walker and Wylde’s discography (specific favorites include: Down by the River, The Devil Wants You Happy, Let it Fall) The Crane Wives’ discography (specific favorites include: Tongues & Teeth, Safe Ship Harbored, I Ain’t Done, Steady, Steady, The Glacier House, The Hand That Feeds, Turn Out the Lights and so so so many more) Hayley Willaims Discography (specific favorites include: Sudden Desire, Watch Me While I Bloom) This year was far more artist-focused, and I’m only including things that could have contributed to my Spotify Wrapped (though this is not influenced by those results). I did look back at last year’s list and wow it’s certainly changed a lot. Also featured – for the first time in its entirety – is The Beatles’ last live performance as a group: the unforgettable rooftop concert on London’s Savile Row, as well as other songs and classic compositions featured on the band’s final two albums, Abbey Road and Let It Be.This year I’m on top of things.
The documentary showcases the warmth, camaraderie and creative genius that defined the legacy of the iconic foursome, and is compiled from 60 hours of unseen footage shot in January 1969 (under the supervision of Michael Lindsay-Hogg and his director of photography Tony Richmond) and more than 150 hours of unheard audio, all of which has been brilliantly restored.
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Travel back in time and witness the creative process of the Fab Four by adding The Beatles: Get Back to your collection on Blu-ray and DVD.ĭirected by Peter Jackson, The Beatles: Get Back is a three-part documentary series that takes audiences back in time to the band’s intimate recording sessions. Directed by Peter Jackson, the series offers unprecedented access to the band as they prepare to record the Let It Be album.įans and critics everywhere have celebrated the “mesmerizing” (Kenneth Womack, ), “epic” (Tim Glanfield, ) and “extraordinarily intimate” series (Sheila O’Malley, ).Ī winner at both the Producers Guild of America and American Cinema Editors Awards, The Beatles: Get Back is also Certified-Fresh on Rotten Tomatoes™. The Beatles: Get Back is now available to own on a Blu-ray Collector’s Set and DVD. “COUNTLESS PERFECT MOMENTS" – Rob Sheffield, Rolling Stone
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